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Why Alanis Morissette Matters

ebook
1 of 1 copy available
1 of 1 copy available

The first critical biography of iconic musician Alanis Morissette, creator of Jagged Little Pill.

The 1990s hardly saw a bigger hit than Jagged Little Pill. Alanis Morissette's defining album won Grammys, dominated the Billboard charts, and sold more than 30 million copies worldwide. It left a deep mark on the psyches of countless listeners. Three decades later, Megan Volpert checks in with Morissette, probing her rich and varied post-JLP career and bearing feminist witness to the existential anger that ties her recent work to enduring classics like "You Oughta Know," "One Hand in My Pocket," and "Ironic."

Why Alanis Morissette Matters builds a bridge from Jagged Little Pill to the fascinating life and subtle intellect of its creator, exploring how the artist's philosophical interests and personal journey are reflected in each track. Morissette's struggles with censorship, mental health challenges, and Catholicism; her queer allyship, spiritual skepticism, zealous fandom, and philanthropic passions—all are carefully observed by a critic whose own life was touched by Jagged Little Pill. In the album's wake, Morissette has evolved as an artist and global citizen. With sensitivity and a profound love for the music, Volpert guides readers through the case for Morissette's enduring cultural relevance and creative impact.

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    • Publisher's Weekly

      December 2, 2024
      PopMatters writer Volpert (Boss Broad) paints an idiosyncratic portrait of Alanis Morissette centered on her 1995 album Jagged Little Pill. The author contends that in contrast to the openly defiant feminist records of the riot grrrl movement, Morissette’s album reflected “what French feminists in the seventies called écriture feminine”—women “writing their way out of oppression” by eschewing classic stylistic approaches. In the case of Morissette, her lyrics subtly question “definitions of equal and balanced relationships,” social standards underpinning eating disorders, and even inequality in the recording industry, according to Volpert. She entertains and promptly refutes the idea that the album’s popularity—it’s sold about 33 million copies worldwide to date—makes it “an instrument of the system” it critiques, arguing that the record’s supposedly “commercialized form of Girl Power” allowed it to slip through the gates of the major label system and strike a chord with listeners. Personal musings form the backbone of the narrative; for example, the album’s “constant scream” on the radio helped the author, then a 14-year-old Midwestern kid with nascent feminist leanings, begin to believe “that my coven was powerful enough to survive high school.” This approach gives weight to Volpert’s claims about the extent of Morissette’s cultural influence, though it contributes to the narrative’s somewhat disorganized feel. Still, ardent Morissette fans will savor this.

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  • English

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