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Creators
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Publisher
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Release date
January 21, 2014 -
Formats
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OverDrive Listen audiobook
- ISBN: 9781339054483
- File size: 3800 KB
- Duration: 00:07:54
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Languages
- English
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Reviews
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AudioFile Magazine
Quack, quack, quack! The distressed calls of five ducklings are heartrending to one observer in this true story. Quick thinking on her part and on the part of the gathered crowd, as well as some firefighters, results in averted danger for the duck family on their morning walk. Tavia Gilbert's fast-paced narration is full of urgency followed by anxiety-inducing pauses. Much of the power of the story comes from the calm response of the adults, and Gilbert mirrors that when she uses her lower register with minimal intonation. As the distress of the ducklings escalates, she travels her vocal register--perhaps a little more than needed. By story's end, listeners will be chorusing the ducklings names--Pippin, Bippin, Tippin, Dippin, and, last of all, Little Joe--with delight. A.R. © AudioFile 2014, Portland, Maine -
Publisher's Weekly
Starred review from November 26, 2012
Carpenter’s warm, retro spreads salute McCloskey in what might turn out to be this generation’s duckling rescue story. Seeing public officials put civic machinery to work to save baby animals is every bit as charming today as it was 70 years ago. “Help!” cries a woman who sees five pint-size ducklings follow their mother across a storm drain and disappear through the grate one by one. “Call the fire department!” Carpenter (Heroes of the Surf) supplies a ducklings’-eye view of their wait in the darkness as curious faces stare down at them. The firefighters can’t budge the drain cover, but a truck driver named Perry drags it off so they can free “Pippin, Bippin, Tippin, Dippin... and last of all, Little Joe,” who await their mother in a handy bucket of water. The rescue depicted actually took place on Long Island in 2000; Moore enlivens the account with engaging narrative devices, repeating the duckling’s rhyming names and punctuating the story with “Oh, dear! That could have been the end of the story. But it wasn’t.” It’s worthy of its predecessor, and a welcome sequel of sorts. Ages 5–7.
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