From Lorrie Moore's earliest reviews of novels by Margaret Atwood and Nora Ephron, to an essay on Ezra Edelman's 2016 O.J. Simpson documentary, and everything in between: this book features Moore on the writing of fiction (the work of V. S. Pritchett, Don DeLillo, Philip Roth, Joyce Carol Oates, Alice Munro, Stanley Elkin, Dawn Powell, Nicholson Baker et al.) . . . on the continuing unequal state of race in America . . . on the shock of the shocking GOP . . . on the dangers (and cruel truths) of celebrity marriages and love affairs . . . on the wilds of television (The Wire, Friday Night Lights, Into the Abyss, Girls, Homeland, True Detective, Making a Murderer) . . . on the (d)evolving environment . . . on terrorism, the historical imagination and the world's newest form of novelist . . . on the lesser (and larger) lives of biography and the midwifery between art and life (Anaïs Nin, Marilyn Monroe, John Cheever, Edna St. Vincent Millay, Eudora Welty, Bernard Malamud, among others) . . . and on the high art of being Helen Gurley Brown . . . and much, much more.
"Fifty years from now, it may well turn out that the work of very few American writers has as much to say about what it means to be alive in our time as that of Lorrie Moore" (Harper's Magazine).
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Creators
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Publisher
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Release date
April 3, 2018 -
Formats
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OverDrive Read
- ISBN: 9780385691321
- File size: 1120 KB
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EPUB ebook
- ISBN: 9780385691321
- File size: 1120 KB
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Languages
- English
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Reviews
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Publisher's Weekly
November 27, 2017
Acclaimed fiction writer Moore (Bark: Stories) has compiled her nonfiction writings into a marvelous collection. The chronologically arranged selections, beginning with a 1983 review of Nora Ephron’s Heartburn, include book reviews, personal essays, and cultural criticism on subjects that include Ross Perot and Bill Clinton’s 1992 presidential debate and the television documentary OJ: Made in America. The cumulative effect is to provide a window onto the trajectory of both late 20th-century American culture and Moore’s development as a writer. Throughout, her chief virtue as a critic is shown to be a sympathetic, generous eye, which enables Moore to reveal the unique appeal of any given work, whether it’s Ann Beattie’s novel Park City or James Cameron’s blockbuster Titanic. Her essays on politics are humorous but more critical, prophetically foreseeing “the televised flattery, the bad candy, the shifting hairstyles—the future of presidential campaigning” familiar today. However, the book’s most deeply felt entries are the meditations on Moore’s craft. In an essay aptly titled “On Writing,” Moore claims “there is nothing more autobiographical than a book review or a violin solo.” If so, then this book provides ample insight into Moore’s inner life; it is certainly a boon to any lover of smart cultural criticism. Agent: Melanie Jackson, Melanie Jackson Agency.
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