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Well of Souls

Uncovering the Banjo's Hidden History

Audiobook
1 of 1 copy available
1 of 1 copy available
An illuminating history of the banjo, revealing its origins at the crossroads of slavery, religion, and music. In an extraordinary story unfolding across two hundred years, Kristina Gaddy uncovers the banjo's key role in Black spirituality, ritual, and rebellion. Through meticulous research in diaries, letters, archives, and art, she traces the banjo's beginnings from the seventeenth century, when enslaved people of African descent created it from gourds or calabashes and wood. Gaddy shows how the enslaved carried this unique instrument as they were transported and sold by slaveowners throughout the Americas, to Suriname, the Caribbean, and the colonies that became US states, including Louisiana, South Carolina, Maryland, and New York. African Americans came together at rituals where the banjo played an essential part. White governments, rightfully afraid that the gatherings could instigate revolt, outlawed them without success. In the mid-nineteenth century, Blackface minstrels appropriated the instrument for their bands, spawning a craze. Eventually the banjo became part of jazz, bluegrass, and country, its deepest history forgotten.
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    • Library Journal

      June 10, 2024

      Historian Gaddy's (Flowers in the Gutter) adult nonfiction debut, warmly narrated by Chant� McCormick, examines the complicated history of the banjo. Gaddy's research spans from 1687 in the Atlantic Ocean to 1857 in Washington, DC, with sources reaching from Jamaica and Suriname to England and the U.S. East Coast. In this banjo history treasure hunt, Gaddy employs correspondence, diaries, and even onsite visits to investigate the origins of early banjo variants, connecting them to the North American banjo, which is a uniquely African American instrument. As Gaddy's book focuses on the instrument's veiled past, modern uses of the banjo are not addressed. Although the narrative focus aims for the banjo, there are frequent segues into other topics--religion, enslavement in the Caribbean and U.S., crop usage, and dance. As a result, the book becomes an exercise in histories other than that of the banjo. While the text contains vital photographs of early instruments, those beneficial visuals are lost with the audiobook, as are the notes and index. VERDICT Despite McCormick's engaging performance, this dense book may bog some listeners down. An enlightening addition to music history and Black history collections, although the print edition better reveals the breadth of Gaddy's research.--Kym Goering

      Copyright 2024 Library Journal, LLC Used with permission.

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  • English

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