Devil's Contract

April 15, 2024
Devilish deals always end badly, but people continue to make them, according to this wide-ranging study of the Faust legend. Most readers are familiar with the story of Faust, the scholar who makes a pact with the devil, trading his soul for knowledge, power, and riches. Simon, an essayist and editor-in-chief of Belt Magazine, believes that many people don't fully understand the story's depth and complexity, and this extensive cultural history goes a long way to prove his point. While the first appearance of Faust as a character was in 1592, in a play by Christopher Marlowe, the idea goes back much further, and Simon tracks through the antecedents, including the temptation of Christ. Goethe's version, the first part of which was published in 1808, was enormously influential, sparking many other tales that picked up the theme. Thomas Mann reinvigorated the story as a novel in 1947, using the concept of a satanic pact to try to explain why the German people followed Hitler. In Roman Polanski's 1968 movie, Rosemary's Baby, a struggling actor offers his wife to be the bearer of the devil's child in return for fame. Simon argues that the Faust legend draws its modern resonance from the idea of the contract--not just as a legal agreement, but as a moral choice. In the closing section of the book, the author suggests that some of the problems of the contemporary world, from screen addiction to climate change, represent Faust-style bargains. In this section, the logic is unclear, and there is a sense that Simon might be stretching the metaphor too far. Nonetheless, the book is an undeniably fascinating read, as the author weaves literary and intellectual strands into a colorful tapestry. Simon is an erudite, insightful guide to a story that spans centuries but still speaks to our times.

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April 22, 2024
According to this spry account from Belt Magazine editor-in-chief Simon (Relic), society is in the grip of the Faustocene, a period when sacrifices of principle in exchange for power are ever more prevalent. Simon traces the legend of Faust, who sold his soul to the devil for magical abilities, from its literary origins to today’s compromises with destructive forces ranging from nuclear weapons to deepfakes. He investigates the myth’s inspirations, including Simon Magus, an eerie New Testament figure who attempted to buy the Holy Spirit from the apostles. Turning to Doctor Faustus author Christopher Marlowe, Simon portrays the Elizabethan playwright as an obsessive skeptic who relentlessly deconstructed articles of faith, including the notion of divine retribution for committing evil. Simon depicts Marlowe as standing at a moral precipice (one into which he eventually tumbled himself, Simon suggests; he was likely assassinated over his shadowy religious spy work) that opened at the beginning of the modern age, when new scientific discoveries led to uncertainties of faith that created “a void... we’re still in the darkness of.” Simon profiles later figures relevant to the myth, including Johann Wolfgang von Goethe, author of Faust, and wraps up with an analysis of America, “the Faustian Republic,” with its “negotiations and nightmares.” Simon’s probing curiosity conjures up an enjoyable grab-bag of arcane knowledge. It’s a beguiling literary history of diabolical deals.