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Shakespeare Lied

ebook
1 of 1 copy available
1 of 1 copy available

Shakespeare Lied is Sky Gilbert's second rumination on Shakespeare to be published by Guernica Editions. It places 'the bard' at the centre of present day debates over 'political correctness.' James Baldwin said Shakespeare's goal was "to defeat all labels and complicate all battles by insisting on the human riddle." Gilbert asserts Shakespeare is not just another dead irrelevant white guy, but that he— in the tradition of the Greek rhetorician Gorgias, and the scandalous, pornographic poet Ovid — was a magnificent, and quite intentional, liar. Shakespeare believed the purpose of art was not to teach, but instead to help us transcend traditional notions of truth.

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    • Kirkus

      September 1, 2024
      No moral lessons, just gorgeous language and vibrant voices lie at the heart of Shakespeare's plays. So argues Canadian multihyphenate Gilbert (a novelist, playwright, and founder of a gay theater in Toronto), who also argues that "the recent intrusion of the woke left into aesthetics...threatens to destroy art." This mindset, he states, has transformed artistic works into vehicles for didactic and/or propagandist ends. In this collection of essays, Gilbert, working from the premise that the analytical, "left brain cultural takeover" began during Shakespeare's life, analyzes how the Bard's plays and poems reveal a rejection of reason and empiricism. He begins by observing that Shakespeare's writing style is as complex as it is heavily connotative, which he sees as atypical for an era when most writers followed one of three styles: "grand, middle or low." Indeed, the Bard often adopted a variety of styles within single passages of text. His stylistic "slipperiness" extends to how he played arguments and counterarguments against each other to create works "steeped in paradox." That, Gilbert suggests, marks Shakespeare's plays as amoral and the playwright as a skeptic. He further argues that the playwright's commitment to rhetoric and language before all else placed him in a position where he could simply allow his characters to speak and act rather than use them to reveal any particular social or political bent. Working during a time when theater was under attack by Puritans, who favored plays that moralized, the Bard chose instead to follow a Classical aesthetic grounded in the thinking of philosophers like Gorgias, who believed that "what is real is defined by the artistin collaboration with the audience." Shakespeare, then, was not only a literary craftsman but also an early modern aesthete dedicated to creating beauty rather than delivering messages for the ages. This view of Shakespeare is hardly new, but its application to today's woke culture is stimulating, if not necessarily persuasive. Provocative, intelligent reading for literary scholars and Shakespeare aficionados.

      COPYRIGHT(2024) Kirkus Reviews, ALL RIGHTS RESERVED.

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