Error loading page.
Try refreshing the page. If that doesn't work, there may be a network issue, and you can use our self test page to see what's preventing the page from loading.
Learn more about possible network issues or contact support for more help.

Still on the Road

The Songs of Bob Dylan, 1974-2006

ebook
1 of 1 copy available
1 of 1 copy available

The second of two volumes, this companion to every song that Bob Dylan ever wrote is not just opinionated commentary or literary interpretation: it consists of facts first and foremost. Together these two volumes form the most comprehensive books available on Dylan's words.

            Clinton Heylin is the world's leading Dylan biographer and expert, and he has arranged the songs in a continually surprising chronology of when they were actually written rather than when they appeared on albums. Using newly discovered manuscripts, anecdotal evidence, and a seemingly limitless knowledge of every Bob Dylan live performance, Heylin reveals hundreds of facts about the songs.

            Here we learn about Dylan's contributions to the Traveling Wilburys, the women who inspired Blood on the Tracks and Desire, the sources Dylan “plagiarized” for Love and Theft and Modern Times, why he left “Blind Willie McTell” off of Infidels and “Series of Dreams” off of Oh Mercy, what broke the long dry spell he had in the 1990s, and much more.

            This is an essential purchase for every true Bob Dylan fan.

  • Creators

  • Publisher

  • Release date

  • Formats

  • Languages

  • Reviews

    • Library Journal

      June 1, 2010
      With its companion, "Revolution in the Air: The Songs of Bob Dylan, 19571973", Heylin's new book provides an exhaustive chronicle of every song written by Dylan through 2006 and the album "Modern Times". As in the first book, these 300 songs are arranged in the order in which Dylan presumably wrote them, which displays the development and progression of his craft. Heylin has gathered details about the songs from interviews, journals, and studio logs and adds his personal notes about live performances. Even if one isn't familiar with the songs, these reports are never dull. Heylin is generous with his praise and pulls no punches with his criticism. He cites the first studio recording(s) and the first known performance for each song, allowing readers to discover songs that have never been performed in concert. Heylin also includes an overview of Dylan's creative output during this period and an explanation of the book's methodology. Although the author writes that this is the concluding book in the series, he might need to add a third volume because the ageless Dylan just keeps on writing and performing. VERDICT Essential for academics and general readers interested in Dylan criticism.Thomas A. Karel, Franklin & Marshall Coll. Lib., Lancaster, PA

      Copyright 2010 Library Journal, LLC Used with permission.

Formats

  • OverDrive Read
  • EPUB ebook

subjects

Languages

  • English

Loading